Tuesday, August 6, 2013

Hidamari Sketch xHoneycomb 09

Hidamari Sketch xHoneycomb 09 includes the six Hidamari residents, the Landlady, and Chika. The episode follows the Hidamaris and the Landlady playing a modified version of a generic replica of “The Game of Life.”


Scene 01: 00:08 - 00:44
C: Yu
Yuno dreams of days gone by. She begins alone in a field of snow, after which it is shown she is watching Miyako writing “LOVE & PEACE” in said snow (see Hidamari Sketch 01). Yuno compliments Miyako for getting it correct this time, referring to how in real life Miyako misspelled the phrase as “LOVE & PIECE.” Miyako therefore has more skill in Yuno’s mind than she actually does, meaning Yuno’s mental image of Miyako is an entirely positive one, conveying a strong admiration for her that significantly raises her readings. She later asks Miyako if she has picked all the tomatoes (see xHoshimittsu 12), a fond remembrance of time with her that reinforces her previous readings so that Yuno earns 3.


Scene 02: 00:44 - 02:06
C: Yu, Mi, La
The Landlady gifts a board game to Yuno. While the Landlady conveys a particular kindness to Yuno in this scene, joining Miyako in calling her nickname “Yunocchi” (ゆのっち) to her and giving her the game as opposed to any of the other tenants, she also shows fondness for Miyako by gently petting her head while complimenting her and a desire to be with the other Hidamaris by joining on a plan for them to play the game together. She easily earns a 4, with Miyako’s happiness at being pet giving her a 3; Yuno’s somewhat formal attitude to the Landlady and worry at seeing her wanting to play keep her at 0.


Scene 03: 03:42 - 04:57
C: Yu, Mi, Sa, Hi, No, Na, La
The Hidamaris open their new game. Nazuna thanks the Landlady for the game, receiving slight readings for gratitude. Sae asks why the Landlady is there, and the Landlady replies that she wanted to see everybody’s smiles, which as an explanation for having given them the board game is rather plausible and consequently earns the Landlady significant readings. Yuno and Nazuna ask Hiro if she and Sae can join the game to which Hiro agrees, showing both a desire to spend time with the others and her readiness to act as an agent for Sae and earning a significant increase that Yuno and Nazuna receive moderate side readings from for excitedly agreeing to her request. The Landlady then leaves to nap in Sae’s room (possibly out of comfort from having slept there previously in xSP 02), conveying a comfort with having intimacy with Sae. Sae, however, irritatedly asks why the Landlady chose her room, negatively impacting her readings. Overall, the Landlady ends at 4, Hiro with 3, Yuno and Nazuna with 2, and everyone else at 0.


Scene 04: 05:01 - 08:23
C: Yu, Mi, Sa, Hi, No, Na
The Hidamaris customize the board game. Yuno gets initial readings from letting the others use her art supplies, though as a minor kindness it is not a particularly strong help. The entire group is impressed by Miyako’s high-quality miniature model of Hidamari Apartments, giving the others slight readings and Miyako moderate readings for having her care and attention to perfectly recreating the building implicitly show her affection for the building and its tenants. When deciding professions to include in the game, Sae and Hiro write art teacher and bestselling author for each other, expressing a high opinion of the other’s future prospects and earning moderate increases. During a montage of art things happening, Miyako is at one point seen to be lying on top of a flustered Sae, a strongly intimate bordering on erotic act that gives Miyako significantly raised yurilevels for initiating, Sae moderate levels for permitting with yuri-embarrassment, and Yuno and Hiro slight readings for watching. Nazuna, while writing event cards, creates one where the person who receives the card has to massage the person to her left. In addition to the undertones of yuri in Nazuna believing everybody is close enough to massage each other, it’s notable that, at that point in time, Nazuna is sitting to Nori’s left, suggesting that she is subtly asking Nori for a massage, giving her a very significant increase. The group the breaks to prepare lunch, with Sae offering to help Hiro cook and Nazuna asking the same of Nori, earning all four slight readings for conveying close relations with another Hidamari. Miyako and Nazuna end with 4, Sae and Hiro with 3, and Yuno and Nori with 1.


Scene 05: 08:25 - 12:26
C: Yu, Mi, Sa, Hi, No, Na, La
The Hidamaris and the Landlady eat and then begin the Game of Hidamari Life. Miyako describes her rice ball as having the warmth of Hiro’s palm, an affection for Hiro’s body that earns her a significant increase, particularly combined with her hug of Hiro’s waist and subsequent rubbing against her side. Hiro, however, interprets Miyako’s comment as an offense, hurting her readings for instinctively assuming Miyako is trying to hurt her. Yuno, Sae, Hiro, and the Landlady all compliment Nazuna’s miso soup, receiving slight increases for their praise of Nazuna; Nori’s yurilevels are negatively affected by joking about being afraid to watch Nazuna cook and insulting her efforts. The Landlady is again helped by her praise of the work the Hidamaris put into the board game, earning similar readings to earlier. Before the game begins, to keep from having too many players the Landlady cheerfully grabs Nazuna and declares Nazuna and herself a team. Her readiness to have such strong physical contact with Nazuna, including hugging and face-rubbing, belies a very strong comfort with her that significantly aids the Landlady’s readings, though Nazuna is unaffected due to her terror at the situation. The majority of the rest of the scene is a string of continuity references without noticeable emotional reaction or reminiscing on the part of the Hidamaris. At one such event, the Landlady teases Sae that she should pray for larger breasts, possibly suggesting a desire to see a bustier Sae, a lustful desire toward her that aids the Landlady significantly. Later, Miyako is forced to give Yuno money, but instead hugs her to convince her to change her mind. Her action conveys a physical intimacy between the two since Miyako is trying to use it as leverage, but at the same time it is in a self-serving interest, so her increase from this contact is only minimal. Miyako and the Landlady end with 4, Yuno and Sae receive 1, and Hiro, Nori, and Nazuna remain at 0.


Scene 06: 12:26 - 14:01
C: Yu, Mi, Sa, Hi, No, Na, La, Ch
Chika calls Yuno and speaks to Sae. Chika gets an initial moderate increase for making the call in the first place as a desire to speak with Yuno, with Yuno earning a similar but smaller increase for reciprocating by accepting. Nori receives similar readings to Yuno since she contacted Chika about the modified game, as does Miyako for excitedly calling out to Chika. Upon learning Chika is Sae’s sister the Landlady shouts toward the phone that Sae wants to talk with her while touching Sae’s shoulder, a physical contact which here suggests mocking teasing more than physical intimacy and does not earn her significant readings. Sae and Chika are both unwilling to speak to each other, hurting them both for their emotional distance; Chika’s later mocking of Sae and Sae’s angry response intensify these negative effects. Yuno, Miyako, and Nori all receive 1 for their friendliness with Chika, and Chika earns 1 for her fondness toward the Hidamaris. The rest stay at 0.


Scene 07: 14:01 - 19:10
C: Yu, Mi, Sa, Hi, No, Na, La
The Hidamaris and the Landlady continue the game. The scene opens continuing from the previous one, with everybody laughing at Sae. While their readings are all hurt by this, Nori and Nazuna receive moderate net increases from the physical closeness of Nori clutching Nazuna’s soft, soft arm. After her laughing subsides, the Landlady tells Sae that she is good at taking care of others, then pats her head and calls her cute, a further suggestion that the Landlady has a particular fondness for Sae which aids her moderately. She then leans over on Nazuna’s lap and uses it as a pillow, again expressing a close familiarity with her tenants. Nori asks the Landlady what profession she wanted when she was young, expressing a casual curiosity about her, though the Landlady’s readings aren’t affected because she refuses to answer. Yuno then reassures her that she is young and can follow her dreams, which the Landlady denies with dismay, earning no side readings from Yuno’s increase. The Landlady’s evasion leads all the Hidamaris to begin questioning the role of the Landlady in the Hidamari order, a disloyalty that decreases all of their readings. In response, the Landlady hugs Nazuna to her chest and argues that having secrets makes her more attractive, conveying she believes herself attractive to the others. Hiro offers to take care of Sae by sorting her money, which Sae reciprocates by paying for her services*, giving both moderate increases for their partnership. After the game finishes, the Landlady offers some constructive criticism in an attempt to improve the Hidamaris’ game; the Hidamaris agree that they ended up putting in too many positive events because their memories of living at Hidamari Apartments are too positive, earning all of them slight readings from enjoying the time they have spent together. The Landlady again receives 4, Yuno, Sae, Hiro, Nori, and Nazuna all get 2, and Miyako earns 1.


Scene 08: 19:12 - 19:48
C: Yu, Mi, Sa, Hi, No, Na, La
The Hidamaris see the Landlady off. The Landlady tells her tenants she enjoyed spending time with them, receiving a slight raise for this friendliness toward them which is balanced out by her rejection of Yuno’s compliment of her. Yuno also has her shoulders grabbed by Miyako, a display of physical closeness that raises both of their readings moderately. Yuno and Miyako both end with 2, with everyone else staying at 0.


Scene 09: 19:48 - 20:24
C: Yu, Mi, Sa, Hi, No, Na
Nori summarizes the events of the episode. She first praises the signs Yuno, Miyako, Sae, and Hiro made, receiving a slight increase for her approval of their work, then says she enjoyed hearing stories about Hidamari before she moved in, a fondness for her upperclassmen that she ties into a fondness for Nazuna by telling her that they should make good memories together. Nori earns a 3, with Nazuna receiving 1 for reciprocating Nori’s sentiment at the end and the others remaining at 0.


Scene 10: 20:27 - 21:10
C: Yu, Mi
Yuno and Miyako pack away their board game. The increase from Miyako’s excitement for their modified game to last through generations of future Hidamaris is balanced out by Miyako having created a game space which made watching Yoshinoya cosplay worthy of sympathy, so ultimately both she and Yuno end at 0.


Scene 11: 21:11 - 21:23
C: Sa, Hi
Sae and Hiro drink together. Sae’s request to study the next day shows a desire to spend time alone with Hiro, helping her readings. They smile fondly at each other at the end of the scene, an affection that gives them each moderate increases, leaving Sae with 3 and Hiro with 2.


Scene 12: 21:23 - 21:56
C: No, Na
Nori and Nazuna lie next to each other on Nori’s bed. Nori wonders idly what she can do for the next generation of Hidamaris in light of her upperclassmen having cleaned out her room before she arrived, a devotion to women that earns her moderate readings. She then casually insults Nazuna, who responds with the threat of violence; they are quickly able to cool off and laugh about the situation, ultimately rendering the entire exercise futile and having no net effect on either’s readings. Nori ends with 2, Nazuna with 0.


Scene 13: 22:00 - 22:09
C: Yu
Yuno throws her duck in the air. Nothing to note in this scene.

Final Yurilevel Readings: (both Aokis and Umes are out of 4)
Episode: 1.6684A
Characters:
  1. Landlady: 3.374U
  2. Miyako: 2.228U
  3. Sae: 1.492U
  4. Hiro: 1.464U
  5. Yuno: 1.276U
  6. Nazuna: 1.268U
  7. Nori: 0.759U
  8. Chika: 0.000U

Moderate yurilevels for the episode as a whole. Though the episode gave a strong focus to the shared memories of the Hidamaris, it was packed too tightly with continuity references to allow the Hidamaris to actually emotionally respond to them, and as a result they did not receive especially strong readings from it. Nazuna and Nori, by merit of not having these memories, ended up with the lowest yurilevels of the Hidamaris, while Miyako earned 4s in Scenes 4 and 5, which, by making up two-fifths of her total scene time, moved her to the top of the Hidamari rankings. Overall, however, the Landlady’s repeated shows of fondness and warmth toward her tenants secured her place as the gayest character of the episode leagues ahead of everybody else. In total there is little else to note about this episode, aside from that it continues the trend of having lots of physical contact between the characters.


Further analysis will continue with Hidamari Sketch xHoneycomb 10.


*: This doesn’t quite make Hiro a prostitute, but it does in some ways make Sae her sugar daddy.

Thursday, August 1, 2013

Hidamari Sketch xHoneycomb 08

Hidamari Sketch xHoneycomb 08 includes the six Hidamari residents, Yoshinoya, and Kuwahara, as well as Mami, Nakayama, Arisawa, and Arisawa’s friend. The episode centers around the characters preparing for and then holding Yamabuki High School’s annual festival.


Scene 01: 00:09 - 00:49
C: Yu, Mi
Yuno and Miyako experience a miracle of nature. Miyako’s excitement to show Yuno a spider web on her balcony and Yuno’s happiness to see Miyako earn them each moderate readings for friendly closeness to leave them both with 2.


Scene 02: 00:50 - 01:08
C: Yu, Mi, Sa, Hi, No, Na
The Hidamaris congregate outside. Yuno and Miyako are still smiling at each other from seeing the spider web and continue to do so through most of the scene, a shared happiness that gives them each 1. The others have little if any role in the scene except to simply be present, keeping them all at 0.


Scene 03: 02:45 - 03:48
C: Yo, Mami
Class 2-A decides their contribution to the school festival. Yoshinoya’s suggestion of a maid cafe doesn’t appear to suggest yuri since it primarily stems from a need to satisfy her own hyperthymic vanity and employs an archetype that is highly sexualized independent of its association with women, so she ends with 0. Mami acts as a coordinator for the whole, mixed-gender class and does not contribute any yuri of her own, meaning she also stays at 0.


Scene 04: 03:48 - 04:04
C: Yu, Mi
Yuno and Miyako discuss the class’s selection of a haunted house. Miyako displays a curiosity toward Yuno by asking her what role she wants to perform for the haunted house and earns a 1; Yuno’s answer of a zashiki-warashi (座敷童, a playful but overall harmless spirit that inhabits a house and brings it fortune) doesn’t have any underlying yuri to it and keeps her at 0.


Scene 05: 04:05 - 04:37
C: Yu, Mi, Mami
Yuno is asked to provide a comment for the pamphlet festival. Mami calls out Yuno’s name in a very playful manner, suggesting a closeness between them that gives Mami a mdoerate increase and Yuno a slight one. Yuno reciprocates Mami’s familiarity by greeting her with the informal “-chan” (ちゃん) honorific and complimenting her performance on the school festival committee, making it so both she and Mami end at 2. Miyako, who doesn’t feature in the scene at all, has no opportunity for yuri and remains at 0.


Scene 06: 04:41 - 06:07
C: Yu, Mi, Sa, Hi, No, Na
The Hidamaris drink in Yuno’s room. The scene is primarily exposition with everyone but Hiro asking each other what their class is doing for the festival, giving them slight increases for curiosity that are tempered since it is not necessarily conveying interest in the others. The only significant yuri in the scene comes when Sae refers to Yuno’s class as “Yuno-san-tachi” (ゆのさんーたち), placing Yuno as the most important member of the class to Sae (which is especially significant given Miyako is in the room as well). Sae receives 2, Hiro stays at 0, and the rest earn 1.


Scene 07: 06:15 - 07:05
C: Yu, Mi
Yuno and Miyako paint a segment of the haunted house’s wall. Yuno’s horror at seeing Miyako injure herself conveys her care for Miyako and desire to not see her harmed, which are expressed strongly enough here to raise Yuno to 3. Miyako responds minimally to Yuno’s fear and tries to dismiss her concern, keeping her at 0.


Scene 08: 07:06 - 07:42
C: Yu, Mi, Ku
Kuwahara takes care of Miyako’s fingers. Yuno gets initial readings for having accompanied Miyako to the nurse’s office, and then further helps her readings by telling Miyako she’ll do anything Miyako needs Yuno to do for her while Miyako’s hand is healing. Miyako’s first request of Yuno is to have Yuno take off her clothes, a highly intimate and physical request that considerably increase Miyako’s yurilevels for the scene. Kuwahara, as usual, acts in a reassuring but professional manner that makes it impossible to tell if she cares about Miyako personally or as a patient, keeping her actions from impacting her readings and leaving her at 0. Yuno ends with 3 and Miyako with 4.


Scene 09: 07:46 - 08:20
C: Yu, Mi
Yuno completes her blurb for the festival pamphlet. Miyako washing herself at Yuno’s sink seems to suggest that Miyako is staying in Yuno’s room for the night, a closeness that raises both of their yurilevels significantly. Yuno’s fear at seeing Miyako detracts from her readings slightly so that she only ends at 2 compared to Miyako’s 3.


Scene 10: 08:36 - 09:02
C: Yu, Mi
Yuno and Miyako arrive at the festival. Miyako’s murmur of astonishment at seeing Yuno’s piece on the pamphlet cover isn’t notably yuri enough to earn her readings, so both end at 0.


Scene 11: 09:05 - 09:40
C: Yu, Mi, Mami, Nakayama
Yuno and Miyako prepare for their roles in the haunted house. Nakayama pushes the two to dress for their roles as soon as they arrive, and they and Mami proceed to change clothes in close quarters with broad view of each other. Nobody has any discomfort or unease because of this, indicating they are all very comfortable with each other’s bodies and giving them very strong increases. Yuno’s assurance to Miyako that she can take care of anything Miyako needs her to do suggests a nurturing aspect of Yuno and Miyako’s relationship, a closeness that raises them further so that both end with 4; Mami receives 3 and Nakayama stays at 0.


Scene 12: 09:42 - 10:28
C: Yu, Mi, Sa, Hi
Yuno and Miyako visit Sae and Hiro’s class. Miyako compliments Sae and Hiro on the quality of their uniforms and Yuno asks to take a picture of the two, earning Yuno and Miyako slight increases for their praise of Sae and Hiro’s appearance. Yuno shares a menu with Miyako and orders the same item she gets, a closeness to Miyako that helps Yuno moderately and gives Miyako slight side readings. Yuno offers to help Miyako eat her meal, a use of the literary convention of a lover feeding her romantic partner that raises Yuno to 3, but since Miyako declines she only ends with 2. Sae and Hiro remain at 0.


Scene 13: 10:34 - 10:56
C: Yu, Mi
Yuno and Miyako explore the balloon room in Nazuna’s classroom. Miyako’s excited indication to Yuno that she found the heart-shaped balloon is an extension of her excitement of having found it at all and as such doesn’t impact her readings. Both end at 0.


Scene 14: 11:00 - 11:38
C: Yu, Mi
Yuno and Miyako watch Nori’s class’s play. Their discussion of Nori’s role in the play’s crew shows that they are only watching the play because Nori is involved, a friendly interest in her that gives both 1.


Scene 15: 11:38 - 11:55
C: Yu, Mi, No
Nori suffers. Yuno and Miyako both smile at seeing her misery, holding them at 0, and Nori’s inability to interact with of the women on stage prevents her from earning yuri as well.


Scene 16: 12:01 - 12:44
C: Yu, Mi
Yuno and Miyako tour other stands at the festival. Yuno repeatedly feeds Miyako items including noodles, a chocolate banana, and takoyaki (fried and battered octopus), again employing the association of feeding as a close romantic action. Miyako encourages this link by responding at one point with hearts surrounding her face as she thanks Yuno, connecting her gratitude toward being fed with love. Later, Yuno expresses a desire to continue feeding Miyako ceaselessly, which, going by the now-established association of food and love*, conveys that she wants further romantic intimacy with Miyako. Both end at 4.


Scene 17: 12:44 - 13:17
C: Yu, Mi, Arisawa, Arisawa’s friend
Yuno encounters Arisawa and her friend. Yuno and Arisawa are both very excited to see each other, speaking with elated tones and touching hands as a greeting, though Arisawa earns a less intense increase than Yuno since she cites wanting to see Yamabuki High School instead of Yuno as a reason for her happiness. Arisawa’s friend doesn’t talk during the scene except to say hello, but she is introduced by Arisawa as her “friend” (彼女, “kanojo”), using a word that can also be translated as “girlfriend” and suggesting a very close relationship between the two. Arisawa’s disappointment that Yuno can’t have lunch with her due to Yuno’s festival work solidifies her strong reading so that she gets 4, while Yuno earns 3, the friend receives 1, and Miyako ends at 0.


Scene 18: 13:35 - 14:46
C: Yu, Mi, Sa, Hi, No, Na, Mami
Sae, Hiro, Nori, and Nazuna enter Class 2-A’s haunted house. As Yuno and Miyako enter to begin their shifts, they clap Mami’s hands, a lewd but intimate physical contact that earns all three of them moderate increases. The other Hidamaris then approach the haunted house; for the duration of their visit, the trend is for Sae and Nori to be leading and less visibly afraid while Hiro and Nazuna follow behind them in greater outward fear, a subtle employment of the masculine-feminine dynamics Sae and Hiro as well as Nori and Nazuna have that suggest romantic undertones in their relationships, helping all of their readings significantly. In addition, Nazuna physically clings to Nori for comfort while Hiro hides close behind Sae, though Nori’s readings are lowered for asking Nazuna to let go. She ends with 2, as do Yuno, Miyako, and Mami, and the others all receive 4.


Scene 19: 14:46 - 16:03
C: Sa, Hi, No, Na, Nakayama
Sae, Hiro, Nori, and Nazuna continue through the haunted house. Nazuna shows a significant reliance on Nori as they progress, asking her to retrieve a talisman because she is too afraid to and holding on to her for comfort through much of the scene, and both receive notable boosts for their protective/dependent relationship. Hiro conveys a similar but less visible relationship with Sae by hanging on to her robe, earning both of them 2s compared to Nori and Nazuna’s 4s. Nakayama doesn’t interact with the four except to her assigned role, remaining at 0.


Scene 20: 16:03 - 16:19
C: Yu, Mi, Sa, Hi, No, Na
Sae, Hiro, Nori, and Nazuna finish going through the haunted house. Yuno, as the receptionist, reacts in a professionally polite manner to seeing the others exit and doesn’t give them special attention, receiving no increase for her attitude. Sae tells Yuno the haunted house was scary, a compliment of her handiwork that raises Sae to 1. Everyone else stays at 0.


Scene 21: 16:32 - 17:36
C: Yu, Mi, Mami
Yuno encounters her parents. There is little orally-conveyed yuri, but the characters touch each other multiple times in this scene. Yuno, Miyako, and Mami all clap hands in excitement over their haunted house’s success, linking physical contact with happiness to raise all of their readings moderately. Additionally, Miyako rests her hands on Yuno’s head to bid her goodbye when they see Yuno’s parents and later pushes Yuno toward the entrance of the haunted house for a picture, close contact which increases her and Yuno to 3 while Mami gets 2.


Scene 22: 17:39 - 17:52
C: Yu
Yuno’s parents look at Yuno’s art piece. Her only interactions are with her father, and as such she stays at 0.


Scene 23: 17:56 - 18:05
C: Yu
Yuno's father leaks cream. Again, there is no yuri interaction with her parents, keeping her at 0 again.


Scene 24: 18:10 - 18:31
C: Yu, Yo
Yoshinoya holds a one-person parade. Her erotic escapade does not appear to be targeted toward women in particular, preventing it from affecting her yurilevels. Yuno does not respond with the intended lust, instead appearing embarrassed for Yoshinoya, a defiance of homosexuality that holds her readings to 0.


Scene 25: 18:33 - 18:49
C: Arisawa, Arisawa’s friend
Arisawa and her friend leave Class 2-A’s haunted house. Arisawa’s friend says that, having visited Yamabuki High School, she understands where Arisawa’s creativity comes from, a praise of her skill that conveys her friend’s admiration of Arisawa and earns her a moderate increase. Arisawa doesn’t respond significantly, but instead wonders where Yuno is; her desire to be with Yuno and ignorance of her friend’s kindness balance out to give Arisawa a 1 while her friend gets 2.


Scene 26: 18:50 - 19:13
C: Yu
Yuno parts with her parents. While her goodbyes to her mother convey affection, they are insignificantly different from her goodbyes to her father, showing that she has no particular affection for her and leaving her at 0 again.


Scene 27: 19:15 - 19:51
C: Yu
The school festival ends. Yuno idly wonders if Arisawa visited her class again after meeting with her in Scene 17, and is then excited to see Arisawa sent her a text message; both of these actions convey a semi-friendly fondness for Arisawa that is strong enough to earn Yuno a 2.


Scene 28: 19:51 - 20:29
C: Yu, Arisawa
Arisawa sends Yuno a text message. Her message compliments Yuno’s work on the haunted house and pamphlet cover, while Yuno’s reply thanks Arisawa for visiting and asks Arisawa to send regards to her friend; both are fairly polite and don’t merit significant yuri, so each gets 1.


Scene 29: 20:41 - 20:54
C: Yo
Yoshinoya attempts to co-opt the school folk dance. Like with Scene 24, there does not appear to be any yuri intent in her actions, and she stays at 0.


Scene 30: 20:56 - 21:21
C: Yu, Mi, Sa, Hi, No, Na
The rare Hidamari mating ritual is documented on camera for the first time. Most of this footage observes Miyako thanking Yuno for all of her help throughout the previous day, going so far as to say that she felt completely at ease with Yuno with around, an indication of increased levels of comfort and relaxation brought by a potential mating partner. Yuno’s rejection of her gratitude is rooted in her regret that she could have done even more for Miyako, an early sign that she is reciprocating Miyako’s desire to pair-bond. Two other pairs can also be observed in this footage: one, the elder pair of Sae and Hiro, sits close together and watches the others in their rituals, corroborating other observations into the Hidamari ecosystem’s conclusions that they are a parental surrogate overseeing the youth of the nest, and the other pair, the much younger Nori and Nazuna, approaches the camera at one point, at which time Nori leans in and seemingly attempts to kiss Nazuna, who responds by teasingly flinching away before they continue their dance. Sae and Hiro receive 2s, and the other Hidamaris all earn 4s. Nature is truly majestic.


Scene 31: 21:33 - 22:08
C: Yu
Yuno bathes in green water. The scene is built around her reaction to seeing a spider, and as such she doesn’t discuss any other characters or specific experiences from the festival, keeping her at 0.


Final Yurilevel Readings: (both Aokis and Umis are out of 4)
Episode: 1.5285A
Characters:
  1. Nazuna: 2.739U
  2. Arisawa: 2.137U
  3. Nori: 2.112U
  4. Sae: 1.994U
  5. Miyako: 1.839U
  6. Yuno: 1.827U
  7. Mami: 1.656U
  8. Hiro: 1.439U
  9. Arisawa’s friend: 1.326U
  10. Yoshinoya: 0.000U
    Kuwahara: 0.000U
    Nakayama: 0.000U

Moderate readings by xHoneycomb levels throughout, with only Nazuna earning particularly strong yurilevels. Roughly a third of the episode’s total yuri was contributed by the haunted house sequence (Scenes 18 through 21), much of which stemmed from intimate touching or other physical yuri. In general, this episode featured a much higher amount than usual of lewd contact, with multiple moments of hand-holding and implied nudity and what appeared to be an attempt at a kiss in Scene 30. Through most of Hidamari Sketch, lewdness hasn’t correlated with increased yuri since it frequently was not attached to yuri intent (for instance, both of Season One’s swimsuit episodes had low Aoki readings), but there has been a definite trend in xHoneycomb from Episode 02 onward of emphasizing instances of impropriety and making Hidamari Sketch in general more erotic. This hasn’t consistently produced higher yurilevels (Episode 04 especially had a notably low final reading) but as a whole readings are increasing simultaneously with displays of sexuality, and this trend may force significant modifications to current theories on yuri being the purest form of love.


Further analysis will continue with Hidamari Sketch xHoneycomb 09.


*: Miyako’s history as destitute and perpetually-starved makes her connection between eating and love more understandable, since she would greatly appreciate any person who gave her food. Her association of the two stretches back at least to Hidamari Sketch x365 11.

Corrections:
8/24/13: Yamabuki High School was initially mislabed as "Yamabuki Academy." The name has been corrected.